Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Balthasar van der Ast
Flowers in a Glass Vase

ID: 80381

Balthasar van der Ast Flowers in a Glass Vase
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Balthasar van der Ast Flowers in a Glass Vase


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Balthasar van der Ast

(1593/94 - 1657) was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards. He was born in Middelburg and died at Delft.   Related Paintings of Balthasar van der Ast :. | Arab or Arabic people and life. Orientalism oil paintings 434 | Mutter und Schwester des Kunstlers | Self-Portrait | Port en Bessin | Ominous |
Related Artists:
Esther Denner
painted Portrait of Queen Charlotte in 1761
Alexander Young Jackson
(October 3, 1882 - April 5, 1974) was a Canadian painter and a founding member of the Group of Seven. As a young boy, Jackson worked as an office boy for a lithograph company, after his father abandoned his family of six children. It was at this company that Jackson began his art training. In the evenings, he took classes at Montreal's Monument-National In 1905, Jackson worked his way to Europe on a cattle boat, returning by the same means and travelling on to Chicago. In Chicago, he joined a commercial art firm and took courses at the Art Institute of Chicago. He saved his earnings and, by 1907, was able to visit France to study Impressionism. In France, Jackson decided to become a professional painter, studying at Paris' Academie Julian under J.P. Laurens.
ALBERTINELLI Mariotto
Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.






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